The way in which he combines the images in Two-Frame Films shows that Fowler is first and foremost a filmmaker, creating a narrative of, and an interaction between, multiple images. These new narratives created by the diptychs, question photography’s reliability as a way of documenting ‘real’ life in a single, still frame. He shows us how we can create a story, or tell our own story, through combining the chance fragments as exposed by photographs.
-- From the GUP website
Comparison between both images.
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